Stadtgarten
EJC 2026 - Showcase-Programm Tag #2
Zola Mennenöh A LABOUR OF LOVE: Zola Mennenöh (vocals, composition) Elisabeth Klinck (viola) Emily Wittbrodt (cello) Kathrin Pechlof (harp) Gintė Preisaitė (piano, synthesizer) Phil Donkin (bass) Holly Schlott UNIQUE: Eric Leuthäuser (vocals, effects) Zuza Jasínska (vocals, effects) Julie Sassoon (piano) Benjamin Geyer (syntheziser, effects) Julius Apriadi (vibraphone) Tanja Becker (trombone) Olga Amelchenko (saxophone) Birgitta Flick (saxophone) Orlando de Boeykens (tuba) Tilo Weber (drums) Holly Schlott (band leader, composition)
TicketsThe international jazz world is coming to Cologne as part of the European Jazz Conference 2026. Over 400 organizers, festivals, labels and industry representatives from all over Europe will meet in the city to discuss the future of jazz and improvised music.
A centerpiece of the conference is the public showcase festival: selected German ensembles present themselves live in front of an international audience of experts - and in front of you. For three days, you will experience some of the most exciting current voices in German jazz in special Cologne venues.
A rare opportunity to discover tomorrow's scene today.
Showcase program day #2
25.09.2026
21:00 | Sartory Halls
Zola Mennenöh A LABOUR OF LOVE
The term soundscape actually encompasses the acoustic totality of a specific place, with all its natural sounds, traffic noise and loud and quiet voices. This definition can also be turned inwards to describe the mental state of people. This is roughly how the singer and composer Zola Mennenöh, who lives in both Berlin and Copenhagen, proceeded when she began to realize her programme "A Labour of Love". In order to stand up for her convictions and express her anger at an increasingly savage world around her, Mennenöh actually takes a step back and lets the lyrical timbre of her voice speak for itself as well as the quiet flow of her spoken words. In combination with the digitally developed sound textures and the differentiated dynamics of the analog instruments, these imaginary soundscapes create a stirring emotionality.
22.00 | Sartory Halls
Holly Schlott UNIQUE
The fact that the Berlin saxophonist, composer and bandleader Holly Schlott has launched her ensemble Unique is of particular significance. "Music knows no gender," Schlott is convinced, "but attitude!" For her, her soloist ensemble is the blueprint for a utopia: music functions as a dialog between the insturmentalists on stage and the audience in front of it, just as it creates connections between generations. It builds bridges across divides, but is also an expression of lived identity. Unique does not play classic orchestral jazz. Rather, this eleven-piece band provides the sonority for a multi-layered chamber music, when it suspends contrasts and allows contradictions. The musicians like the melodic as well as the concrete beat, but they are also aware of the tension when these parameters are dissolved. Music as an alternative to today's political turbulence? That suits Schlott and Unique.
The concert is seated.
The concert hall is barrier-free.
Photography is not permitted.
Venue:
Stadtgarten
The first concert in the newly built Stadtgarten concert hall in the mid-1980s launched a program unlike anything Germany had seen: an independent, artistically driven concert series devoted to contemporary improvised music. It was guided neither by attendance figures nor by public subsidies, yet it guaranteed musicians minimum fees and was run on professional terms. The conditions mattered just as much: an acoustically optimized, street-level concert space offering a strong setting for audiences and performers alike. Operations were financed through the adjoining hospitality business, the Stadtgarten restaurant and beer garden, a model that drew attention well beyond Germany.
Today the Stadtgarten Köln ranks among Europe's internationally recognized venues for contemporary and improvised music. The American magazine Down Beat features it regularly in its listings; it has received Germany's federal APPLAUS venue program award several times, including "Venue of the Year" in 2016, followed by the German Jazz Prize in the same category in 2022. More than 400 events across the full spectrum of contemporary music now take place there each year. Its international standing rests above all on the high proportion of demanding, experimental programming.
A programming mission of this kind depends on reliable public support. The venue's 30th anniversary in September 2016 opened that prospect: through a partnership between the City of Cologne and the state of North Rhine-Westphalia, programming work is being substantially strengthened, and from 2017 onward the Stadtgarten Köln is being developed step by step into a "European Center for Jazz and Contemporary Music" – with the goal of becoming one of Europe's leading music centers.
More dates at Stadtgarten:
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Cologne Jazzweek: SCHMID’s HUHN – the cologne songbook
Stefan Karl Schmid (saxophone/clarinet), Leonhard Huhn (saxophone/clarinet), Stefan Schönegg (bass), Fabian Arends (drums)
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Cologne Jazzweek: Sam Gendel Solo
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Cologne Jazzweek: Composers Collective Cologne – Amsterdam Edition
Rebekka Salomea (vocals), Fuensanta (vocals/bass/composition), Heidi Bayer (trumpet/composition), Fabian Dudek (saxophone/flute/composition), Kira Linn (saxophone/bassclarinet/composition), Philipp Brämswig (guitar), Chaerin Im (piano/synth), Felix Hauptmann (keys/synth), Alessandro Fongaro (bass/electric bass/composition), Leif Berger (drums), Sun-Mi Hong (drums)
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Konzert des diesjährigen Preisträgers des Horst und Gretl Will Stipendiums: Roger Kintopf's CIPHER
Kirke Karja (piano), Felix Hauptmann (synthesizer), Roger Kintopf (bass), Philip Dornbusch (drums)
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NICA x CJW: Felix Hauptmann - YARDS & EMPATHY
Ketija Ringa-Karahona (flute), Lina Allemano (trumpet), Felix Hauptmann (piano, composition), Roger Kintopf (bass), Francisco Mela (drums)
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LudoWic
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Foggy Notion: The Necks
Chris Abrahams (piano), Tony Buck (drums), Lloyd Swanton (bass)
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zamus: unlimited | Beethoven trifft Stockhausen
Tobias Koch (fortepiano), Benjamin Kobler (piano)
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Jack Botts
Support: Jordy Maxwell
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Rodrigo Amado The Bridge
Rodrigo Amado (tenor saxophone), Alexander von Schlippenbach (piano), Ingebrig Håker Flaten (bass), Gerry Hemingway (drums)